PRESS RELEASE

 

7 June 2004

FOR IMMEDIATE RELEASE        

 

OXFORD PHILOMUSICA PRESENTS ITS SIXTH

INTERNATIONAL PIANO FESTIVAL 1-8 AUGUST 2004

 

Festival Director Marios Papadopoulos has gathered another stellar list of soloists and teachers for Oxford Philomusicaıs Sixth International Piano Festival.

 

The Oxford Philomusica International Piano Festival is an annual, week-long event of international importance, providing Oxford with ³a banquet of lectures, masterclasses and recitals.²  (The Oxford Times).  Students travel from as far a field as Australia, Russia and USA and are resident in Oxford for the duration of the Festival.  Visiting pedagogues and pianists are from the world stage, attracting audiences from far and wide whilst providing Oxford residents with a plethora of opportunities to enjoy their music making on a daily basis.

 

New to the Festival are Dmitri Bashkirov, Bernard Robbins, Piers Lane and Gerald Roberts, all of whom will give an evening recital and masterclass the following day.

 

We welcome Andrew Ball, Head of Keyboard at the Royal College of Music, who joins his counter part from The Royal Academy of Music, Christopher Elton,

who will be making his third visit to the Piano Festival.  Welcome returns are also made by Niel Immelman and Festival President Malcolm Troup who will offer an opportunity to explore Busoniıs Six Elegies: ³Ferrucio and a Lost Early 20th Century Masterpiece.²

 

The young pianist is always a popular feature of the Festival and Judith Burton, winner of the 1982 UK Private Teacher of the Year Award joins us for the second year to nurture our youngest students and deliver a lecture entitled ³Preparing for Performance ­ building security and confidence during practise.²

 

Founder and pianist in the legendary Beaux Art Trio, Menahem Pressler returns for the fourth time to work with student pianists.  His classes are renowned throughout the music world.  Mr Pressler will also give two masterclasses on Piano Trio, offering priceless opportunities to fledgling chamber groups.

 

The Festival Symphony Concert for 2004 is an all Beethoven programme, featuring the celebrated pianist John Lill and the Oxford Philomusica orchestra under the direction of Marios Papadopoulos.  John Lill will also give the Festivalıs final masterclass.

 

Marios Papadopoulos: ³I am delighted with this yearıs Festival line-up.  We seem to have found a formula which is popular with soloists, lecturers, students and audience, so are concentrating on building on this success to offer a unique opportunity of learning, listening and participating.  We are always investigating new ideas for the Festival and already planning for 2005.²

 

Whether soloist, amateur player, student or music lover, Oxford Philomusicaıs International Piano Festival 2004 is offering something for everyone, in a full week dedicated to the instrument and its music.

 

The Festival, which runs from 1-8 August 2004, takes place in the heart of Oxford, one of the UKıs most beautiful cities.  A warm, friendly atmosphere, historic venues for ³a banquet of lectures, masterclasses and recitals² (The Times), all contribute to a stimulating and inspirational week for all.

 

Participation options range from full time participant, to full time or part time observer, with or without accommodation.  All classes, lectures and concerts are open to the public.

 

 

 

 

 

 

 

 

 

 

For further information, pictures and interview opportunities, please contact Carole Radford: 01753 771849; 07770 543616, Carole@oxfordphil.com

 

 

 

 

 

 

 

 

 

 

 

 

 


 

Notes for Editors

 

OXFORD PHILOMUSICA INTERNATIONAL PIANO FESTIVAL 2004

 

PIANO FESTIVAL RECITALS & CONCERTS

 

Sunday 1 August 2004 8pm Jacqueline du Pré Music Building

Tickets: £7

 

Lecture Recital by Malcolm Troup

 

³Ferrucio and a Lost Early 20th Century Masterpiece.²

 

Malcolm Troup is the President of the Oxford Philomusica International Piano Festival.  He enjoys an enviable reputation as an esteemed performer and academic.  He holds many distinguished positions including that of Director of Music at the Guildhall School of Music and drama and Chairman of the Beethoven Society of Europe and of the European Council of EPTA.   His lecture recitals are always regarded as a highlight of the Festival and this year Malcolm Troup offers an opportunity to explore Busoniıs Six Elegies.

 

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Monday 2 August 2004 8pm Jacqueline du Pré Music Building

Tickets: £15

 

Piano Recital by Gerald Robbins

 

³A pianist of authority and imagination. Versatile, secure in every respect, a spectacular technique.²           -Los Angeles Times

 

Gerald Robbins has distinguished himself internationally as a soloist, recitalist, and chamber musician of poetic sensitivity and virtuosic technique. Since capturing a major prize at the Van Cliburn International Piano Competition in 1969, he has performed regularly in the worldıs major music centres throughout Europe, Japan and the United States.  Mr Robbins is co-founder and pianist with the Lyric Piano Quartet, currently in residence at Queens College, CUNY.  He

also teaches chamber music at Manhattan School of Music, appears regularly as a soloist with major orchestras and has made numerous recordings. 

 

A champion of neglected romantic repertoire this eveningıs concert takes us chronologically from Beethoven to Brahms, Debussy and de Falla then back to Chopin, undoubtedly one of the greatest of all composers of Romantic music.

 

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Tuesday 3 August 2004 8pm Holywell Music Room

Tickets: £15

 

Piano Recital by Bernard Robbins

 

Bernard Roberts has long been acknowledged as one of Britain's leading pianists.   This is his first visit to the Oxford Philomusica Piano Festival.

 

His international career takes him throughout Europe, America and the Far East and he has given masterclasses at many leading festivals including the Van Cliburn Piano Institute in Fort Worth Texas.

 

In addition to his recital work Bernard Roberts often appears as concerto soloist with leading orchestras here and abroad. He is well known to Radio 3 listeners and he has been the subject of a 40-minute television documentary made for BBC2 by the director Mischa Scorer.

 

His repertoire ranges from the early classics to the great works of the 20th century.  His profound Beethoven interpretations have received particular acclaim and in this eveningıs recital Mr Roberts will perform Beethoven's Thirty-Three Variations on a Waltz by Diabelli.  His longest and most complex piece for piano, it is regarded as one of the monumental achievements of Beethovenıs last period.  The recital begins with Debussyıs Preludes Book II.

 

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Wednesday 4 August 2004 8pm University Church of St Mary the Virgin

Tickets: £15

 

Piano Recital by Dmitry Bashkirov

 

Russian-born pianist Dmitry Bashkirov first achieved international fame in 1955 when he received the "Grand Prix" at the Marguerite Long Competition in Paris. He studied in Tiflis with Anastasia Wirssaladze, and in Moscow with Russian pianist, pedagogue, writer and composer Alexander Goldenweiser, a contemporary of Rachmaninov and Scriabin, and a friend of Leo Tolstoy.

 

He has played with numerous orchestras including the Chicago Symphony, the Cleveland Orchestra, the San Francisco Symphony and the Leipzig Gewandhaus Orchestra and the Israel Philharmonic with some of the worldıs greatest conductors including Sir John Barbirolli, Daniel Barenboim, Zubin Mehta and Vladimir Ashkenazy ­ Patron of Oxford Philomusica.

 

This is Mr Bashkirovıs first visit to the Festival, a year after a highly successful visit by one of his former pupils, Dmitri Alexeev.  This eveningıs recital showcases works of varying periods, from Mozart, Haydn, Beethoven, Chopin, Schubert-Lizst and Debussy.

        

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Thursday 5 August 2004 8pm University Church of St Mary the Virgin

Tickets: £15

 

 

Piano Recital by Piers Lane

 

"No praise could be high enough for Piers Lane whose playing throughout is of a superb musical intelligence, sensitivity, and scintillating brilliance."

Bryce Morrison, Gramophone

 

London-born pianist Piers Lane grew up in Brisbane and holds dual Anglo-Australian nationality.  He has performed in over 40 countries and his wide-ranging repertoire of some 60 concertos has led to engagements with many great orchestras, including the London Philharmonic; Philharmonic; Royal Philharmonic and Halle as well as leading orchestras from around the world.

 

Piers Lane holds an extensive and much admired discography.   His recording of Scriabinı s Preludes was awarded full marks by Classics Today, reporting: ³Lane's flawless fingers and inspired brain are totally attuned to Scriabin's hyper-expressive sound worldŠBravo.²  This eveningıs recital will include 10 of these Preludes as well as a selection of Chopinıs Nocturnes, Etudes and Waltzes plus Rachmaninoffıs Variations on a Theme of Chopin.

 

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Friday 2 August 2004 8pm Jacqueline du Pré Music Building

Tickets: £5

 

Festival Studentıs Recital

 

Always one of the highlights of the Festival, this is a concert showcasing tomorrowıs future stars.  Students from around the world have an opportunity to put into practise the teachings they have enjoyed throughout their stay with the Festival.  Non competitive, but with the excitement and atmosphere of an international piano competition, students listen to and are inspired by one another, making each performance unique and very varied.  

 

An enormously enjoyable evening the studentıs recital offers performances encompassing a wide range of music by students from around the world. 

 

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Saturday 7 August 2004 8pm Sheldonian Theatre

Tickets: £30, £24, £17, £10

 

Symphony Concert

John Lill   Piano

Marios Papadopoulos

Oxford Philomusica Orchestra

 

Beethoven    Piano Concerto No 5 Op 73 ³Emperor²

                        Symphony No 6 Op 68 ³Pastoral²

 

A child prodigy, British pianist John Lill shot to international stardom when he won the most coveted piano prize in the world, the International Tchaikovsky Competition in Moscow. The prize immediately led to engagements with major international orchestras and highly sought after conductors such as Sir John Barbirolli, Eugene Jochum, Seiji Ozawa and performances with leading orchestras around the world.

 

John Lillıs vast repertoire not only includes more than sixty concertos but also extremely wide-ranging solo works. His recitals and concerto performances have been acclaimed in more than forty countries and he is recognised as one of the worldıs leading interpreters of Beethoven.

 

One of the most well known and loved of British artists, John Lill is making a welcome return to the Piano Festival and this evening joins Marios Papadopoulos and the Oxford Philomusica Symphony Orchestra for a double Beethoven programme.  Papadopoulos, also acknowledged as a great Beethoven interpreter conducts the orchestra for two of his greatest and most loved works: the Emperor Piano Concerto and the Pastoral Symphony.  Together, John Lill, Marios Papadopoulos and the Oxford Philomusica Orchestra will surely provide a fitting climax to a weeklong celebration of the piano.

 

Book online at www.oxfordphil.com.

Box office: 01865 305305

 

THE OXFORD PHILOMUSICA AT THE ATHENS FESTIVAL 2004

 

Oxford Philomusica is delighted to have been invited to participate in the prestigious Athens Festival in July 2004, a few weeks prior to the Olympic Games.

 

The performance will take place in the stunning, open-air ancient theatre of Herodes Atticus, which is situated just below the Parthenon in Athens.

 

100 musicians from the orchestra will travel from England and will perform, amongst other works, Mahlerıs 1st Symphony.

 

Oxford Philomusica is honoured to have been afforded this opportunity to perform alongside some of the Worldıs leading orchestras ­ an invitation procured following its very successful concerts at the Athens Megaron in November 2002.

 

THE OXFORD PHILOMUSICA

 

1.         The Oxford Philomusica was founded in 1998 and has since developed to become the most significant musical resource in Oxford.  It was launched with a concert at Londonıs Barbican Centre in November 1998 and gave its Oxford debut the following February at The Sheldonian Theatre.   A television documentary, produced by the Foreign and Commonwealth Office, highlighted the Oxford Philomusicaıs mission to establish a professional symphony orchestra in the University City and was broadcast to an audience of over 400 million people world-wide.  As recognition of its work, the Oxford Philomusica was honoured at a reception at 10 Downing Street in April 2002, hosted by Cherie Blair.

 

In February 2001, Vladimir Ashkenazy, Patron of the Oxford Philomusica, appeared with the orchestra as soloist and conductor at Oxfordıs Apollo Theatre and again on 12 May 2003, for a performance at St Jamesıs Palace in the presence of HRH Prince Phillip, Duke of Edinburgh.  The concert was held in aid of the Princeıs own charity: The Outward Bound Trust.  Internationally acclaimed soloists who have appeared with the orchestra include Steven Isserlis, Angela Hewitt, Cristina Ortiz, Oxana Yablonskaya, Maurice Hasson, Jean-Bernard Pommier, Igor Oistrakh, Charles Rose, John Lill, Chloe Hanslip and Peter Donohoe.  The Oxford Philomusicaıs diverse range of promotions and other activities have made a considerable contribution to Oxfordıs musical life, attracting critical praise and securing a supportive audience for its work.

 

Beyond Oxford, the orchestra has extended its touring programme to undertake visits to Switzerland, Cyprus and Azerbaijan.  In March 2000, the Oxford Philomusica performed before a capacity audience at the prestigious Sale Gaveau, Paris, and in November 2002 received high critical acclaim following its appearance at the Athens Megaron.  Its commitment to performing in London continued with a concert given at the Queen Elizabeth Hall in February 2000 with further concerts planned.

 

2.         In August 1999, the Oxford Philomusica presented the first International Piano Festival to be held in Oxford, in collaboration with the European Piano Teachers Association. Described as "the most significant annual musical event in the city" (Oxford Times), the Oxford Philomusica International Piano Festival now enjoys an international reputation as a centre of learning for the musicians of tomorrow.  The festival attracts a world class line up of visiting artists of the highest calibre and widest possible breadth of musical experience and the 2003 International Piano Festival intends to build on its enviable record by offering an embarrassment of riches from the piano world. 

 


Visiting artists reads as a Whoıs Who in the Piano World and includes: Cristina Ortiz, Maria Curcio, John Lill, Jack Gibbons, Martino Tirimo, Dmitry Bashkirov, Dmitry Alexeev, Piers Lane and Menahem Pressler.  Selection is by audition for residential places as Participants and in 2004 demand exceeded the number of available places 3 weeks before the closing date.  Next Festival dates: 24-31 July 2005.

 

3.         Education and Community work, a central part of the orchestraıs mission, continues to grow.  Oxford Philomusica has funded pilot projects in the Wood Farm area of Oxford and at the Oxford Hospital School.  The success of these schemes, together with close collaboration with hospital boards, has led to a proposal for Oxford Philomusica to become the resident orchestra at the John Radcliffe Hospital.

 

4.         Marios Papadopoulos, Founder and Music Director of the Oxford Philomusica, made his London debut in 1974, since when his career as pianist and conductor has developed on the international stage. His interpretations of the Beethoven Sonatas, currently being recorded, have compared with those of Schnabel, Brendel, Barenboim and Kempf (Daily Telegraph and Classic FM Magazine Criticsı Choice).

 

5.             In October 2002, Oxford Philomusica was appointed Orchestra in Residence at the University of Oxford.  This unique appointment is for an initial five-year period and offers a wider reaching programme of mutual benefit to the University and orchestra. As part of the University Residency, Oxford Philomusica will continue to collaborate with the Faculty of Music on its student education programmes and to establish major conferences and colloquia .  The highly successful Orchestral Apprenticeship Scheme, now in its fifth year, will continue to provide orchestral experience and coaching to selected students.  Also available are conducting classes, masterclasses and individual training given by Oxford Philomusica musicians.

 

6.             In addition, the Orchestra hopes to develop a number of pioneering schemes with other University departments using its resources of professional performing musicians to explore non-musical areas of work and research such as medical and neurological research, the psychology of music and performance and the effects of music on a childıs ability to learn.  

 

 


 

Ends