Oxford Philomusica Summer Series Concert

 

Monday 16 July 2001

Sheldonian Theatre, Oxford 8.00pm

 

 

 

 

SOWETOıS BUSKAID STRINGS PLAY ALONGSIDE MUSIC FROM INSPECTOR MORSE

 

For Immediate Release:

 

 

 

Inspector Morseıs love of classical music was an essential ingredient in the development of the fictional character in the hugely successful TV series.   The Oxford Philomusicaıs opening concert pays tribute to Oxfordıs famous sleuth and includes Barrington Pheloungıs original soundtrack score.  It also offers works representative of Morseıs devotion to classical music, most of which have been heard by millions worldwide as part of the showıs soundtrack. The programme, conducted by Marios Papadopoulos, includes the Laudate Dominum from Mozartıs Solemn Vespers and Pucciniıs impassioned aria ŒSenza mammaı from Suor Angelica performed by the exciting young Russian soprano Ksenia Jones.

 

 

In complete contrast, and fresh from their recent triumphant appearance at St Johnıs Smith Square, the Buskaid Soweto String Project (BSSP) will demonstrate their unique and mesmeric style of playing as an addition to the concertıs published programme.  Currently on tour of the UK, BSSP has been thrilling audiences with its unique mix of classical and African music.   Oxford Philomusica is delighted to give BSSP the opportunity of demonstrating the prodigious talents of its 20 youngsters performing African Kwela, music written in opposition to the Apartheid regime. Thirty minutes before the concert, BSSP will Œbuskı outside the Sheldonian Theatre. The vibrant, full-blooded, earthy sounds produced by these remarkable young musicians reflect a striking impression of their African souls.

 

For further information, pictures and interview opportunities, please contact Carole Radford PR: 01753 771849; 07770 543616.

 

[Ends]


Notes for Editors

 

The Oxford Philomusica gave its first concert in November 1998 at Londonıs Barbican Centre. It made its Oxford debut on 2 February 1999, joined by Steven Isserlis in performances of works by Fauré and Saint-Saëns and concluding with Brucknerıs Te Deum. Highlights from its work since include its Sheldonian Theatre performance of Beethovenıs Ninth Symphony, part of an ongoing series of the composerıs orchestral works introduced by television newsreader and Beethoven expert John Suchet; the London premiere of The Persians by Periclis Koukos at the Queen Elizabeth Hall; Mozartıs Requiem, Piano Concerto in E flat K.482 and his concert aria Chıio mi scordi di te, performed by Patricia Rozario and Marios Papadopoulos, at the Basingstoke Anvil and Oxfordıs Sheldonian Theatre; and Bachıs Mass in B minor.

 

Marios Papadopoulos, Founder and Music Director of the Oxford Philomusica, made his London debut in 1974, since when his career as pianist and conductor has developed on the international stage. His interpretations of the Beethoven Sonatas, currently being recorded, have compared with those of Schnabel, Brendel, Barenboim and Kempff (Daily Telegraph and Classic FM Magazine Criticsı Choice).

 

In August 1999, the Oxford Philomusica presented the first International Piano Festival to be held in Oxford, in collaboration with the European Piano Teachers Association. Described as "the most significant annual musical event in the city" (Oxford Times), the Oxford Philomusica International Piano Festival now enjoys an international reputation as a centre of learning for the musicians of tomorrow. This yearıs festival runs from 5 to 12 August and boasts a range of visiting artists of the highest calibre and widest possible breadth of musical experience. The great Bach scholar and performer Dr Rosalyn Tureck makes a welcome return to the Oxford Philomusica International Piano Festival, together with the Russian virtuoso Oxana Yablonskaya, Cristina Ortiz, Marios Papadopoulos, Professor Malcolm Troup and Malcolm Young. They join the company of a distinguished list of Festival newcomers, Menahem Pressler, Pierre-Laurent Aimard, Professor Niel Immelman, Bryce Morrison and the legendary piano teacher Maria Curcio among them. Filippo Gamba, winner of the 2000 Géza Anda Competition and composer Francis Pott will also contribute to the Festival facultyıs collective expertise.

 

The Oxford Philomusica has developed a scheme in association with the University of Oxford Faculty of Music to provide orchestral experience and conducting seminars to selected students. Philomusica players are extending the scheme next academic year, offering tuition to students enrolled on the Orchestral Studies Course. The orchestra recently collaborated with the university on a highly successful colloquium on Bach, linked to a performance of the B minor mass at the Sheldonian Theatre.