OXFORD PHILOMUSICA ORCHESTRA

 

 

 

PRESS RELEASE

9 December 2003

FOR IMMEDIATE RELEASE        

 

 

CHRISTMAS WITHOUT JOHN RUTTTER?  UNTHINKABLE

 

Ask anyone to name a living, British composer and chances are theyıll say John Rutter.   And who could imagine a Christmas Concert without his Donkey Carol or Shepherdıs Pipe Carol?   Oxford Philomusica is no exception and has gone one step further by not just including his carols and arrangements but securing the great man himself to conduct the whole concert!

 

Full orchestra, chorus, mighty organ played by John Birch and internationally acclaimed baritone soloist Roderick Williams will be under Rutterıs masterful direction in a ³to die for² Christmas Concert. 

 

The concert opens with excerpts from Bachıs Christmas Oratorio and then moves effortlessly through the centuries with Rossiniıs Cinderella Overture, Berliozıs Shepherdıs Farewell and Graingerıs Shepherdıs hey to the present day with John Tavener and of course, John Rutter.  Truly, something for all the family with traditional carols for audience participation.  Your opportunity to sing under the baton of one of the music worldıs living legends.

 

 

 

 

 

 

 

 

 

 

For further information, pictures and interview opportunities, please contact Carole Radford: 01753 771849; 07770 543616, Carole@caroleradfordpr.com

 

 

 

 

Notes for Editors

 

 

1.         The Oxford Philomusica was founded in 1998 and has since developed to become the most significant musical resource in Oxford.  It was launched with a concert at Londonıs Barbican Centre in November 1998 and gave its Oxford debut the following February at The Sheldonian Theatre.   A television documentary, produced by the Foreign and Commonwealth Office, highlighted the Oxford Philomusicaıs mission to establish a professional symphony orchestra in the University City and was broadcast to an audience of over 400 million people world-wide.  As recognition of its work, the Oxford Philomusica was honoured at a reception at 10 Downing Street in April 2002, hosted by Cherie Blair.

 

In February 2001, Vladimir Ashkenazy, Patron of the Oxford Philomusica, appeared with the orchestra as soloist and conductor at Oxfordıs Apollo Theatre and again on 12 May 2003, for a performance at St Jamesıs Palace in the presence of HRH Prince Phillip, Duke of Edinburgh.  The concert was held in aid of the Princeıs own charity: The Outward Bound Trust.  Internationally acclaimed soloists who have appeared with the orchestra include Steven Isserlis, Angela Hewitt, Cristina Ortiz, Oxana Yablonskaya, Maurice Hasson, Jean-Bernard Pommier, Igor Oistrakh, Charles Rose, John Lill, Chloe Hanslip and Peter Donohoe.  The Oxford Philomusicaıs diverse range of promotions and other activities have made a considerable contribution to Oxfordıs musical life, attracting critical praise and securing a supportive audience for its work.

 

Beyond Oxford, the orchestra has extended its touring programme to undertake visits to Switzerland, Cyprus and Azerbaijan.  In March 2000, the Oxford Philomusica performed before a capacity audience at the prestigious Sale Gaveau, Paris, and in November 2002 received high critical acclaim following its appearance at the Athens Megaron.  Its commitment to performing in London continued with a concert given at the Queen Elizabeth Hall in February 2000 with further concerts planned.

 

2.         In August 1999, the Oxford Philomusica presented the first International Piano Festival to be held in Oxford, in collaboration with the European Piano Teachers Association. Described as "the most significant annual musical event in the city" (Oxford Times), the Oxford Philomusica International Piano Festival now enjoys an international reputation as a centre of learning for the musicians of tomorrow.  The festival attracts a world class line up of visiting artists of the highest calibre and widest possible breadth of musical experience and the 2003 International Piano Festival intends to build on its enviable record by offering an embarrassment of riches from the piano world. 

 

2002 saw welcome returns by such esteemed artists as Cristina Ortiz, Niel Immelman, Bryce Morrison, Maria Curcio, Marios Papadopoulos, Malcolm Troup and Malcolm Young.  Distinguished new participators included John Lill, Christopher Elton, Jack Gibbons, Martino Tirimo and Charles Rosen.  Demand for residential places exceeded previous years with students travelling from around the world in order to be part of this unique musical experience.  This year the Festival runs from 3-10 August 2003. 


 

3.         Education and Community work, a central part of the orchestraıs mission, continues to grow.  Oxford Philomusica has funded pilot projects in the Wood Farm area of Oxford and at the Oxford Hospital School.  The success of these schemes, together with close collaboration with hospital boards, has led to a proposal for Oxford Philomusica to become the resident orchestra at the John Radcliffe Hospital.

 

4.         Marios Papadopoulos, Founder and Music Director of the Oxford Philomusica, made his London debut in 1974, since when his career as pianist and conductor has developed on the international stage. His interpretations of the Beethoven Sonatas, currently being recorded, have compared with those of Schnabel, Brendel, Barenboim and Kempff (Daily Telegraph and Classic FM Magazine Criticsı Choice).

 

5.             In October 2002, Oxford Philomusica was appointed Orchestra in Residence at the University of Oxford.  This unique appointment is for an initial five-year period and offers a wider reaching programme of mutual benefit to the University and orchestra. As part of the University Residency, Oxford Philomusica will continue to collaborate with the Faculty of Music on its student education programmes and to establish major conferences and colloquia .  The highly successful Orchestral Apprenticeship Scheme, now in its fifth year, will continue to provide orchestral experience and coaching to selected students.  Also available are conducting classes, masterclasses and individual training given by Oxford Philomusica musicians.

6.              

7.             In addition, the Orchestra hopes to develop a number of pioneering schemes with other University departments using its resources of professional performing musicians to explore non-musical areas of work and research such as medical and neurological research, the psychology of music and performance and the effects of music on a childıs ability to learn.  

 

 

8.             Robert Saxton was recently appointed as composer-in-residence and will take up the post in September 2003.


 

Ends